For about 20 years, Ray Keating wrote a weekly column - a short time with the New York City Tribune, more than 11 years with Newsday, another seven years with Long Island Business News, plus another year-and-a-half with RealClearMarkets.com. As an economist, Keating also pens an assortment of analyses each week. With the Keating Files, he decided to expand his efforts with regular commentary touching on a broad range of issues, written by himself and an assortment of talented contributors and columnists. So, here goes...
Showing posts with label Netflix. Show all posts
Showing posts with label Netflix. Show all posts

Friday, January 29, 2021

The Queen’s Gambit: Homo Incurvatus in Se

 by David Keating

The Keating Files – January 29, 2021

(Mild Spoiler Alert)

 

Recently, I finished watching Netflix’s The Queen’s Gambit. I wasn’t quite sure if I would enjoy the series given that my attempts at playing chess were exclusively limited to camping trips with the Scouts. But I was delighted to find that The Queen’s Gambit was not merely about the intricacies of the 1950s-1960s competitive chess world. The series also explores themes surrounding addiction, family, and the role that community plays in helping to process the traumas and experiences in one’s life. 

 


The show follows the life of Beth Harmon, an orphaned prodigy who discovers chess at a young age. Harmon is introduced to drugs, specifically tranquilizers of some kind, while at the orphanage. Even being adopted, her addictions spiral as her adoptive mother has problems with alcoholism, despite the fact that her mother does become a positive influence of a kind in helping Beth cultivate her love for chess.

 

Despite Beth’s success in chess tournaments, her addictions continue to spiral and grow. Beth assumes that in order to be good at chess, she needs to be abusing the various substances with which she’s addicted. This ultimately culminates in one of the final episodes when Beth shuts herself off from the rest of the world during a days-long bender. She ignores calls to the house and the rest of the outside world until she passes out from the combination of substances and hits her head on a table. 

 

Why do I think this entire interaction helps us understand our theological life? Sin has been described as shutting oneself off from the rest of the world and from the communities that give us meaning. In Latin, we would call this “homo incurvatus in se” or “man curved in on himself.” When man is turned inward he not only shuts himself off from community, but turns inward, thereby amplifying the feeling of guilt from sin by staring exclusively at his own deeds and actions. It’s an interesting spiritual insight that we can see at play in this series. When looking only at ourselves for comfort, we find none. It is only by turning outward toward something else that we can be rescued from this “turning inward” on ourselves. 

 

In the series, Beth eventually finds her way out of her downward spiral and the collapse in on herself. A friend, Harry Beltik, confronts her with the results of her actions, forcing her to ponder their consequences. A friend from the orphanage, Jolene, tells Beth that her mentor who taught her chess at the orphanage has died. Jolene guides Beth back to the outside world where the death of this person who meant so much to her forces Beth to once again return to the chess world that she loves.

 

I was floored by the way in which these themes resonate with Christian messages. Beth is forced out of her position of “incurvatus in se” and toward the outside world through not just the love of friends, but also through the death of a mentor figure. It is this person’s surprising death that helps Beth Harmon to once again regain her footing in the outside world as she reengages with the sport she once loved. 

 

Christianity would pick up on this message and carry it a bit further. Certainly the love of friends helps to bring sinners out of their distress and back into a community. But the Church would also say that the ultimate thing that forces one away from wallowing in past deeds and actions is the death of another, namely, Jesus Christ. It is Christ Jesus who encourages us to look up and away from ourselves, and to the cross for salvation and comfort. It is in the cross where we see that Jesus is the opposite of man curved in on himself. We see the love that compels Him to outstretch His arms toward creation in the open posture of the crucifixion. Sure, it may be a little different than what Beth experiences in The Queen’s Gambit, but that story reminds us of the way in which the death of a loved one can work to draw us away from isolation and shame, and toward a welcome reception and community. 

 

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The Reverend David Keating is pastor at St. John’s Lutheran Church in Curtis, Nebraska.

 

Recent by Pastor Keating…

 

“Devotional Thought: St. Paul – Perfect Figure for Today”

 

“Soul: Finding Joy in the Little Things”

 

“The Pivotal Players – Models of Faithfulness for Catholics and Non-Catholics”

 

Watchmen: The Miracle in One’s Life”

 

“How Does DC Comics Wrestle with Theodicy?”

 

“Arrival: If You Knew the Ending, Would You Embrace the Journey”

 

“Star Wars: What the Rise of Skywalker Got Right”

 

Friday, September 25, 2020

Character-Rich Sci-Fi: Take the Netflix Journey with “Away”

 by Ray Keating

The Keating Files – September 25, 2020

 

Science fiction at its worst tends to be too “sciency,” that is, it’s all about the imaginary future of science and technology. Now, don’t get me wrong. I’m as much of a sci-fi nerd as the next person standing in line at a comic con waiting to meet William Shatner. But there has to be more than futuristic techno-jargon.

 

At its best, science fiction serves up compelling storytelling and interesting characters within settings like space faring, time travel, or life across the galaxy. Sure the Enterprise, warp speed, time travel, the transporter and boldly going where no one has gone before are awesome, but what made Star Trek: The Original Series great were Kirk, Spock and McCoy, who they were, their relationship, and their interesting, fun and sometimes insightful adventures.



In terms of character-rooted science fiction, Netflix has nailed it with Away, starring Academy-Award-winner Hillary Swank, along with Josh Charles, Talitha Eliana Bateman, Ray Panthaki, Vivian Wu, Mark Ivanir, Ato Essandoh, and others.

 

This is the story of the first manned mission to Mars. Led by Emma Green (Swank), the American commander, the rest of the international crew is Misha Popov (Ivanir) from Russia, Dr. Lu Wang (Wu) from China, Ram Arya (Pathaki) from India, and Dr. Kwesi Weisberg-Abban (Essandoh) from the United Kingdom.

 

Back on Earth, we are treated to an assortment of characters supporting the mission and/or affecting or influencing (sometimes through flashbacks) the astronauts. That includes Green’s husband – fellow astronaut Matt Logan (Charles) – and their daughter, Alexis (Bateman).

 

Away makes for a fascinating drama – perhaps more accurately, a series of interesting character studies – that happens to be set on board a spacecraft headed for Mars. We see how the astronauts meet assorted challenges and interact with each other. Perhaps as expected, sacrifice (in terms of who was left behind and what occurs during the mission), courage, conflict, honor, and trust all come into play. 

 

But there’s much more. Away dives into what makes each character tick. So, for example, we see Emma being torn by the deep love for her family – who are facing trials at home – in the midst of the significant risks and problems she faces during a journey that is the pinnacle of her life’ work. Misha’s broken relationship with his daughter is explored, as are Lu’s with her family and beyond. The roots of Ram’s isolation are probed as well. And the personal costs of space travel are made clear.

 

Most interesting, though, is the fact that the show’s creators, writers and directors don’t shy away from presenting characters in full. It’s not just a sliver or moment here or there. As best they can during a ten-episode season, the creators try to go deep on each character.

 

That even includes matters of faith. In an interview with TheWrap.com, showrunner Jessica Goldberg was asked about the issue of religion in Away. It was reported:

 

“When you talk about the universe, it’s hard to eclipse those questions of faith,” Goldberg told TheWrap. “We did a lot of research, we talked to a lot of astronauts, and one thing we kept hearing was when you’re up there, if you’re atheist, you’re even more of an atheist, or if you believe, you become a deeper believer. I think because we were having those conversations in the [writers] room, they just worked into the larger fabric of the show.” …

 

“In our [writers] room, we’d be talking about these things, and then it would definitely evolve back to, ‘Is there a God? Do you need faith to get through these kinds of missions? What happens if you believe in nothing? What if there is other life out there?'” she continued. “If we get to go on and have a Season 2, that question will play even more deeply because the question of life on Mars is the scientific basis, you know, it’s the holy grail of what Mars could possibly hold.”

 

In Away, Kwesi is a devout Jew, who prays and often speaks of faith. And it’s apparent that his faith has an effect on other crewmembers. Back on Earth, Alexis sneaks out of the house on Christmas Eve night with her new boyfriend, Isaac (Adam Irigoyen), and unbeknownst to her, they wind up meeting his family at Midnight Mass. And at another point, Isaac and Alexis pray the Lord’s Prayer in church together.

 

Viewers were fortunate that principal production work reportedly started in August 2019 and was completed in early February 2020, just before the pandemic hit the U.S. As a result, Away was able to be released on September 4 on Netflix.

 

Season 1 of Away stands tall on its own, and warrants watching. But I’m certainly rooting for more character-rich sci-fi in a second season. Let’s hope that Netflix gives it a thumbs up.

 

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Recent Columns by Ray Keating…

 

“A Few Reflections on the U.S. Open at Winged Foot”

 

“Applaud, Don’t Attack, Robinhood”

 

“Sports Are Back But Americans Aren’t Happy”

 

“Should We Take Our Ball and Go Home When Pro Athletes Disagree with Us?”

 

“‘Greyhound’ Ranks as Strong Storytelling – Even on a Smaller Screen”

 

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Ray Keating is a columnist, novelist, economist, podcaster and entrepreneur.  You can order his new book Behind Enemy Lines: Conservative Communiques from Left-Wing New York  from Amazon or signed books  at RayKeatingOnline.com. His other recent nonfiction book is Free Trade Rocks! 10 Points on International Trade Everyone Should Know. The views expressed here are his own – after all, no one else should be held responsible for this stuff, right?

 

Keating’s latest novel is  The Traitor: A Pastor Stephen Grant Novel, which is the 12thbook in the series. There is a big sale on signed books and sets at https://raykeatingonline.com/t/book-of-the-month. Also, the best way to fully enjoy Ray Keating’s Pastor Stephen Grant thrillers and mysteries is to join the Pastor Stephen Grant Fellowship! For the BEST VALUE, consider the Book of the Month Club.  Check it all out at https://www.patreon.com/pastorstephengrantfellowship

 

Also, tune in to Ray Keating’s podcasts – the PRESS CLUB C Podcast  and the Free Enterprise in Three Minutes Podcast  

 

Check out Ray Keating’s Disney news and entertainment site at www.DisneyBizJournal.com.